OI FUTURO IPANEMA
May, 14th 18h
Kindness of a giant – a wrinkled flat land
Gustavo Ciríaco and Natália Viroga
A man, a woman and a world created on a surface. The performance happens in the handling of little evanescent landscapes, staged with the manipulation of industrial materials. The domain between human and nature touches the unnamable, that is impossible to grasp. What does landscape mean to the human race?
OI FUTURO IPANEMA
May, 17th Tuesday 18h
Pick-up sticks, a war game
A speech act with reading of texts, induced by a montage-in-disposition of the book “Pick-up sticks”: drilled copies are tensioned by a red furious tug of war which crosses the intire room and discharges a political and ambivalent threat of this book between love and war.
OI FUTURO IPANEMA
May, 19th 15h
Ectoplasm
Luísa Nóbrega, Julia Pombo and Helena Lessa
A performer – medium repeats words spoken by someone on the other side of the ocean.
ESPAÇO SESC
May, 16th and 17th 20h30
MDLSX | MIDDLE_SEX
Presented by the SESC and recommended by Atos de Fala MDLSX is a “performance – monster”; one lysergic and lonely hymn to freedom to transform, mix genres, to be different beyond the boundaries of the body , skin color , sexual organs, to be another independent of an imposed or acquired nationality. A kind of musical and performative trip, an unclassifiable Dj / Vj Set: a bizarre mixture of text and icons related to trans-genderism.
MUSEU DE ARTE DO RIO
May, 20th 19h and May, 21th 18h
Supernatural
Simone Aughterlony, Antonija Livingstone and Hahn Rowe
Observe the supernatural grants access to a shared kaleidoscopic body. Human and non-human acting in a hot pink ground camp, under a fluorescent large and eye-popping sky. With axes, wooden violin, electronics and the naked body , Simone Aughterlony , Antonija Livingstone and Hahn Rowe perform an inquiry into some vibrant issues. A hot debate on the political ecology of things.
Rua dos Inválidos, 39, Centro
May, 22nd 20h
Shisnayder Show
Over 55 years , Turma OK is a pioneer in Brazil of meetings of trans-diversity . Organized in families of performers, Turma OK create their shows as a platform of the invention of subjectivities, and a powerful way to community interaction. Every night, a performer creates a concept that leads the show, allowing others to join. One could call this a game as well as a lifestyle. Check Facebook.
OI FUTURO IPANEMA
May, 15TH to 22nd 13h to 21h
Lives-Dress Noises
Flavia Naves and Sebastian Wiedmann
Two voices in two stages: one performer sends a letter by mail to a filmmaker who can only answer through images and sounds.
OI FUTURO IPANEMA
May, 13th to 22nd 13h to 21h
The Infinite Conversation
The voice. The seed of voice. Texture, rhythm. The time of the between-saying. The “dark room” of the gallery is marked by the experience of tiredness: tiredness of time, repetition, and daily routine. Broken. In the installation space, lighting reveals floating pillows in a series. They bring voices to be heard when someone’s head rests in them. Walls are the support to the thread of the speech. Belonging to nobody, each speech about tiredness makes words less accurate and harder to pronounce.
OI FUTURO IPANEMA
May, 15th to 22nd 13h to 21h
Lecture-performances historiographical works.
Sculptures-archives are historiographical works of the lecture-intervention of the day before. Each artist can intervene in the traces of his or her lecture-intervention, rearranging them, adding up materials, including media, and even taking away other things that do not matter to the making of the sculpture-archive. This piece is supposed to remember what happened the day before (archive) but it is also supposed to be an autonomous piece so that even people who have not been present at the lecture-intervention may enjoy it (sculpture).
